Home/Journal/Choreography

Journal · Choreography

Chanelle Anthony: The Power of Performance

For Chanelle Anthony, heels are about more than choreography — they are about confidence, expression, musicality and telling a story through every step.

19 May 2025 · 1 min read

Choreography by Chanelle Anthony

Artist: Angie Stones - Wish I Didn't Miss You

Location: The Manor LDN Dance Studio, Finsbury Park, North London

Chanelle Anthony is a London-based dancer, choreographer, teacher and performer whose career spans feature film, television, music video, theatre and live performance. Trained at Bird College Conservatoire for Dance and Musical Theatre and the BRIT School, Chanelle has developed a career that moves between commercial dance, heels and the stage, with credits including Wicked, Wonka, Snow White, Dance 100, the BRIT Awards and the BAFTAs.

Alongside performing, Chanelle has developed her own choreography and teaching practice, with a particular focus on heels, technique, confidence and expression. Her choreographic style plays with contrast — combining elegance, fluidity and clean lines with more explosive and unexpected moments. Her recent credits include Ayra Starr ft. Wizkid’s Gimme Dat, Kylie Minogue, Bebe Rexha & Tove Lo’s My Oh My and Fleur East’s Count the Ways.

At The Manor LDN, Chanelle brought her choreography to Angie Stone’s Wish I Didn’t Miss You. Released in 2002 as part of Stone’s Mahogany Soul album, the track became one of her best-known songs, built around a sample of The O’Jays’ Back Stabbers.

The Manor class brought together Chanelle’s focus on confidence, musicality and performance, creating a space for dancers to connect with the music while exploring her approach to heels choreography. The session is a reflection of the way she approaches teaching: building confidence alongside technique and encouraging dancers to find their own expression through movement.

See the full class timetable →

Share this story

More from the journal

Choreography

Alex Chambers: When Musicality Leads

Choreography

DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography

DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography

DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography

DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography

DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography

DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography

DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography

DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography

DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography

DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography

DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography

DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography

DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography

Neal Piron: Where Rhythm Finds Its Shape

Choreography

Jared Hageman: A Life in Movement

Choreography

Alex Chambers: Built Around the Music

Choreography

Eryn Bates: The Details Make the Difference

Heels

Shivawn Joubert: Where Precision Meets Power

Choreography

Josh Denyer: Finding the Story in Movement

Choreography

Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography

Neal Piron: Built Between Styles

Choreography

Jared Hageman: Where Every Style Has a Place

Choreography

Jamie Mason: Built to Perform