Journal · Choreography
An Icon in Heels: Chanelle Anthony's Magic
Wonka. Wicked. Now, heels at The Manor LDN.
21 April 2025 · 1 min read

Choreography by Chanelle Anthony
Chanelle Anthony truly brought the magic to The Manor LDN with a dynamic class blending technical brilliance with pure artistry — and in heels specifically, she's become something close to an icon. As a dancer and choreographer, Anthony's credits include starring in major productions like Wonka and Wicked, work that sits alongside her earlier West End choreography for Wicked and Aladdin, where her presence and precision captivated audiences long before she ever led a class of her own.
Heels demands a different kind of physical honesty than most styles — there's nowhere to hide a wobble, no forgiveness for a movement that isn't fully committed to. That's exactly the standard Anthony brought into the room, and exactly why The Manor LDN's Finsbury Park studio was built to support it: full sprung flooring for genuine stability at speed, professional lighting sharp enough to show every line clearly, and a sound system built to let the precision of heels choreography land the way it's meant to. It's the kind of environment that doesn't just host a heels class, it lets an icon of the style actually demonstrate why she's considered one.
With a career spanning both stage and screen, Anthony's versatility, creativity, and passion inspire everyone she works with — and it's always a genuine privilege to have her share that experience and energy in the studio. This session was proof of exactly why.
More from the journal

Choreography
Alex Chambers: When Musicality Leads

Choreography
DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography
DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography
DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography
DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography
DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography
DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography
DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography
DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography
DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography
DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography
DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography
DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography
DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography
Neal Piron: Where Rhythm Finds Its Shape

Choreography
Jared Hageman: A Life in Movement

Choreography
Alex Chambers: Built Around the Music

Choreography
Eryn Bates: The Details Make the Difference

Heels
Shivawn Joubert: Where Precision Meets Power

Choreography
Josh Denyer: Finding the Story in Movement

Choreography
Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography
Neal Piron: Built Between Styles

Choreography
Jared Hageman: Where Every Style Has a Place

Choreography