Journal · Choreography
More Than Choreography: Amber Rae's Full Experience
She doesn't just teach steps. She teaches intention.
27 May 2025 · 1 min read

Choreography by Amber Rae
Ask anyone who's taken a class with Amber Rae what they actually remember, and it's rarely just the choreography. Known for her bold style and commanding presence, Rae has built credits with heavyweights including Wizkid, Stefflon Don, Lizzo, and Ms Banks — but the thing that keeps dancers coming back to her sessions at The Manor LDN isn't the résumé, it's what happens once she's actually in the room.
Her classes are built to be a full experience rather than a straightforward run-through of steps, pushing dancers to move with real intention, own their space, and tap into something closer to instinct than technique. Part of what makes that possible is the environment Rae creates the moment she walks in — a room where women genuinely support each other rather than compete for space, and where dancehall itself is treated with the artistry and respect it's long deserved, not sidelined as an afterthought to other commercial styles. That kind of atmosphere doesn't happen by accident; it's built, session after session, by someone who clearly cares about the culture as much as the choreography.
That kind of teaching only really works in a room designed to hold it — enough scale and energy to let a class build into something bigger than the choreography itself, which is exactly the environment The Manor LDN's Finsbury Park studio was built to provide. Every time Rae steps into the studio, she leaves a lasting impact — and this session was no exception. It's the reason "we can't wait to have her back" isn't just a closing line; with Amber Rae, it's practically a guarantee.
More from the journal

Choreography | Heels
Revolving Door - Tate McRae | Choreographed by Paige Patton

Choreography | Heels
First Time - Krept&Konan | Choreography by Amber Rae

Choreography | Jazz Funk
Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Choreography
She's a Bitch by Missy Elliott | Choreography by Mira Jebari @The Manor Series Volume 3: Industry

Afro | Choreography
IYD by Lojay | Choreography by Homebros @ The Manor Series Volume 3: Industry

Choreography
Way Too Big - Burna Boy | Choreography by Aaron Bryan @ The Manor Series Volume 3: Industry

Choreography
Alex Chambers - Rolling in the Deep

Choreography
Alex Chambers - Sugar

Choreography
Rowan Chambers - With Emotion

Heels
Tarek Khwiss - Naughty Girl

Choreography
Alja Ursic Arko- Wickedest

Heels
Lowri Jackson - Girls Need Love

Heels
Brina Brecelj

Choreography | Commercial
The Choreographer Whose Movement Flows Like Water

Choreography | Contemporary
Pharrell Williams Wanted Her at the Oscars. Here's Why.

Choreography | Hip Hop
Kendrick Lamar. Eminem. Dr. Dre. All in One Night.

Choreography | Heels
Full Commitment or Nothing: Melissa Barlow's Standard

Choreography
David Cottle's Classes Come With One Guarantee: Joy

Choreography | Jazz Funk
Christin Olesen | Technique-Driven Jazz Choreography at The Manor LDN

Choreography | Contemporary Fusion
Contemporary Meets Commercial: Ainsley Ricketts' Signature

Choreography | Commercial
A Decade in Commercial Dance: Josh Wharmby's Class

Choreography | Commercial
Claudimar Neto: From Little Mix to The Manor LDN

Choreography | Heels
Wish I Didn't Miss You- Angie Stone | Choreography by Chanelle Anthony

Choreography | Heels