Home/Journal/Choreography

Journal · Choreography

More Than Choreography: Amber Rae's Full Experience

She doesn't just teach steps. She teaches intention.

27 May 2025 · 1 min read

Choreography by Amber Rae

Ask anyone who's taken a class with Amber Rae what they actually remember, and it's rarely just the choreography. Known for her bold style and commanding presence, Rae has built credits with heavyweights including Wizkid, Stefflon Don, Lizzo, and Ms Banks — but the thing that keeps dancers coming back to her sessions at The Manor LDN isn't the résumé, it's what happens once she's actually in the room.

Her classes are built to be a full experience rather than a straightforward run-through of steps, pushing dancers to move with real intention, own their space, and tap into something closer to instinct than technique. Part of what makes that possible is the environment Rae creates the moment she walks in — a room where women genuinely support each other rather than compete for space, and where dancehall itself is treated with the artistry and respect it's long deserved, not sidelined as an afterthought to other commercial styles. That kind of atmosphere doesn't happen by accident; it's built, session after session, by someone who clearly cares about the culture as much as the choreography.

That kind of teaching only really works in a room designed to hold it — enough scale and energy to let a class build into something bigger than the choreography itself, which is exactly the environment The Manor LDN's Finsbury Park studio was built to provide. Every time Rae steps into the studio, she leaves a lasting impact — and this session was no exception. It's the reason "we can't wait to have her back" isn't just a closing line; with Amber Rae, it's practically a guarantee.

 

See the full class timetable →

Share this story

More from the journal

Choreography

Alex Chambers: When Musicality Leads

Choreography

DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography

DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography

DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography

DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography

DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography

DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography

DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography

DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography

DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography

DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography

DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography

DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography

DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography

Neal Piron: Where Rhythm Finds Its Shape

Choreography

Jared Hageman: A Life in Movement

Choreography

Alex Chambers: Built Around the Music

Choreography

Eryn Bates: The Details Make the Difference

Heels

Shivawn Joubert: Where Precision Meets Power

Choreography

Josh Denyer: Finding the Story in Movement

Choreography

Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography

Neal Piron: Built Between Styles

Choreography

Jared Hageman: Where Every Style Has a Place

Choreography

Jamie Mason: Built to Perform