Journal · Choreography
Latrice Kabamba: Where Groove Meets Performance
From Australia to Jam Republic and international stages, Latrice Kabamba brings her distinctive movement language to The Manor LDN.
28 September 2026 · 1 min read

CHOREOGRAPHY BY LATRICE KABAMBA
ARTIST: MOLIY & TYLER - BODY GO
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
Latrice Kabamba started dancing at just four years old in Australia, growing up surrounded by dance before taking her career beyond home. In 2017, she moved to China and began working professionally under the guidance of her family, quickly establishing herself as a dancer and choreographer across the Asia-Pacific dance scene. Her movement is rooted in groove, musicality and performance, with an instinct for making choreography feel as alive as the music behind it.
Her career has since taken her across some of Asia’s biggest entertainment platforms. Latrice has worked with artists including Lay Zhang, Cai Xukun, Wang Yibo and Vava, while also choreographing for shows including Idol Producer, Idol Hits and Rap of China. She later became part of Jam Republic on Street Woman Fighter 2, the Korean dance competition series that introduced the crew to an even wider international audience.
But competition and performance are only part of Latrice’s creative world. She has continued developing her own choreography, teaching internationally and creating work that puts musicality, texture and performance quality at its centre. Her own online choreography platform gives dancers the chance to learn pieces including “My Touch”, “Soundgasm” and “Rock the Boat”, reflecting the movement language she has continued to develop throughout her career.
At The Manor LDN, Latrice brings that energy to Molly and Tyla’s “Body Go”. The choreography gives dancers space to work with rhythm, groove and performance while experiencing the distinctive movement quality that has taken Latrice from Australia to stages and studios around the world.
Watch Latrice Kabamba’s “Body Go” choreography below and experience her movement language at The Manor LDN.
More from the journal

Choreography
Alex Chambers: When Musicality Leads

Choreography
DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography
DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography
DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography
DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography
DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography
DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography
DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography
DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography
DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography
DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography
DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography
DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography
DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography
Neal Piron: Where Rhythm Finds Its Shape

Choreography
Jared Hageman: A Life in Movement

Choreography
Alex Chambers: Built Around the Music

Choreography
Eryn Bates: The Details Make the Difference

Choreography
Josh Denyer: Finding the Story in Movement

Choreography
Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography
Neal Piron: Built Between Styles

Choreography
Jared Hageman: Where Every Style Has a Place

Choreography
Jamie Mason: Built to Perform

Choreography