Home/Journal/Choreography

Journal · Choreography

Israel The Don: When Energy Leads the Movement

Israel The Don brings musicality, attitude and unmistakable energy to Lekan’s “Come Thru” at The Manor LDN.

26 September 2026 · 1 min read

CHOREOGRAPHY BY ISRAEL THE DON

ARTIST: LEKAN - COME THRU

LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON

There is an instinctive quality to Israel The Don’s approach to movement. Rather than treating choreography as simply a sequence of steps, his work places emphasis on how dancers connect with the music — finding the rhythm, the attitude and the moments that give movement its character. It is an approach that makes performance feel just as important as precision.

That connection to the music is at the centre of Israel’s work as a choreographer and teacher. His classes create space for dancers to explore musicality and individuality, while still challenging them to stay inside the detail of the choreography. It is less about making every dancer look identical and more about understanding what makes the movement work in the first place.

That creative approach has already brought Israel to The Manor LDN, where he hosted a dedicated choreography pop-up in July 2026. The session gave London dancers the opportunity to work directly with Israel and experience his approach in the studio.

Now, Israel brings that same energy back into the room with Lekan’s “Come Thru”. The choreography gives dancers space to work with the track’s rhythm and attitude while stepping into Israel The Don’s distinctive movement language — a combination of musicality, performance and individuality.

Watch Israel The Don’s “Come Thru” choreography below and experience his movement language at The Manor LDN.

See the full class timetable →

Share this story

More from the journal

Choreography

Alex Chambers: When Musicality Leads

Choreography

DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography

DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography

DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography

DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography

DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography

DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography

DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography

DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography

DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography

DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography

DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography

DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography

DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography

Neal Piron: Where Rhythm Finds Its Shape

Choreography

Jared Hageman: A Life in Movement

Choreography

Alex Chambers: Built Around the Music

Choreography

Eryn Bates: The Details Make the Difference

Choreography

Josh Denyer: Finding the Story in Movement

Choreography

Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography

Neal Piron: Built Between Styles

Choreography

Jared Hageman: Where Every Style Has a Place

Choreography

Jamie Mason: Built to Perform

Choreography

Joshua Pilmore: Where Performance Comes First