Home/Journal/Choreography

Journal · Choreography

Guero Charles: The Journey Behind the Movement

What started with salsa in Houston led Guero Charles to the world’s biggest stages — and now to the studio floor at The Manor LDN.

26 September 2026 · 1 min read

CHOREOGRAPHY BY GUERO CHARLES

ARTIST: PINKPANTHERESS - TONIGHT

LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON

Guero Charles’ route into professional dance was anything but conventional. Growing up in Houston, he spent his early years focused on baseball before discovering dance as a teenager. After watching You Got Served, something clicked. He began training in Latin dance, specifically salsa, before becoming increasingly drawn to hip hop and eventually making the decision to pursue dance professionally.

In 2012, Guero joined the cast of Monsters of Hip Hop — an opportunity that connected him with some of the industry's leading choreographers and helped inspire his move from Houston to Los Angeles. Since then, his career has taken him onto stages alongside Beyoncé, Jennifer Lopez, Janet Jackson, Rihanna, Demi Lovato, Tate McRae and the Backstreet Boys. His credits include Rihanna’s Super Bowl LVII Halftime Show, Janet Jackson’s Together Again Tour and Tate McRae’s “2 Hands” music video.

But Guero’s story has never been only about the biggest credits. His journey has been shaped by curiosity, versatility and a willingness to step into unfamiliar territory — from salsa to commercial hip hop, from performing to choreography, and from Houston studios to some of the biggest stages in the world. He now passes that experience on through teaching, helping dancers understand the performance and musicality behind the movement.

At The Manor LDN, Guero brings that experience to PinkPantheress’ “Tonight”. The choreography plays with musicality, texture and performance, giving dancers the chance to experience the movement language of an artist whose own career began with simply taking a chance on dance.

Watch Guero Charles’ “Tonight” choreography below and experience his movement language at The Manor LDN.

See the full class timetable →

Share this story

More from the journal

Choreography

Alex Chambers: When Musicality Leads

Choreography

DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography

DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography

DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography

DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography

DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography

DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography

DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography

DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography

DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography

DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography

DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography

DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography

DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography

Neal Piron: Where Rhythm Finds Its Shape

Choreography

Jared Hageman: A Life in Movement

Choreography

Alex Chambers: Built Around the Music

Choreography

Eryn Bates: The Details Make the Difference

Choreography

Josh Denyer: Finding the Story in Movement

Choreography

Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography

Neal Piron: Built Between Styles

Choreography

Jared Hageman: Where Every Style Has a Place

Choreography

Jamie Mason: Built to Perform

Choreography

Joshua Pilmore: Where Performance Comes First