Home/Journal/Choreography

Journal · Choreography

Dario Boatner: Movement With No Limits

After years performing alongside pop’s biggest names, Dario Boatner brings his evolving creative voice to The Manor LDN.

25 September 2026 · 2 min read

CHOREOGRAPHY BY DARIO BOATNER

ARTIST: DON OLIVER - GEMSTONE

LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON

After years performing alongside the biggest names in music, Dario Boatner is stepping further into his own voice as a choreographer and creative.

Born and raised in Detroit, Michigan, Dario began dancing at just six years old. That early foundation has grown into a career spanning music videos, arena tours, television, award shows and live performance, with a versatility that allows him to move between different artists, styles and creative worlds. Now based in Los Angeles, he is building on that performance career while developing his own voice as a choreographer.

The performance credits alone tell the story. Dario has performed with Rihanna at the Super Bowl LVII Halftime Show and in Savage X Fenty, with The Weeknd at the Super Bowl LV Halftime Show, and on Rauw Alejandro’s Vice Versa Tour. He has also worked with Janet Jackson, appearing on her Together Again Tour and in her Las Vegas residency, alongside appearances in music videos for artists including Victoria Monét, Tate McRae, Camila Cabello and Adele.

But performance is only part of where Dario’s career is heading. His choreography credits now include work for Janet Jackson, Omarion and Kehlani, including choreography across Kehlani’s music videos, live performances and 2026 world tour. It is a natural next step for an artist who has spent years understanding movement from inside the performance itself — and now gets to shape the movement from the other side of the room.

At The Manor LDN, Dario brings that evolving creative language to Don Oliver’s “Gemstone”. The choreography is rooted in musicality, performance and the kind of detail that comes from someone who knows what it takes to make movement work on the biggest stages.

Watch Dario Boatner’s “Gemstone” choreography below and experience his movement language at The Manor LDN.

See the full class timetable →

Share this story

More from the journal

Choreography | Jazz Funk

Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Choreography | Heels

Full Commitment or Nothing: Melissa Barlow's Standard

Choreography

David Cottle's Classes Come With One Guarantee: Joy

Choreography

Gil Duldulao: The Choreographer Behind the Icon

Choreography

Luther Brown: Choreography You Can Hear

Choreography

Brian Friedman: The Blueprint for Commercial Dance

Choreography

The Manor Series: Amber Rae Brings Industry Into The Room

Choreography

Kelsey ‘Hydro’ Miller & Ian Harris: Reworking a Classic

Choreography

Kelsey ‘Hydro’ Miller & Hannah Arbury Reimagine “Everything Is Romantic”

Choreography

Domenick Stevens: Making Every Move Count

Choreography | Heels

Chanelle Anthony: The Power of Performance

Choreography

Consistency Is the Career: Denzel Chisolm

Choreography

Marquise Williams: Movement Without Limits

Choreography

In the Room With Ai Shimatsu

Choreography

Hana Morris: The Global Dancer Making Her Mark in London

Choreography | Hip Hop

Maniek Kotarski: A Language of Movement

Choreography

Dario Boatner: From Detroit to the World Stage

Choreography

Shay Latukolan: Making Movement Feel Like Music

Choreography

Devante Latorre Gets Into Drake’s “You Broke My Heart”

Choreography

RAYE's Dancer Meets a European Touring Veteran: Lorenzo Pryce x Maximilien Henrion

Choreography | Heels

Darius Hickman: "Rockin That Thing" at The Manor — The-Dream

Choreography

Kiel Tutin: When “Hot & Sexy” Hits The Manor

Choreography

Dylan Le: Finding the Rhythm in 6LACK's “PRBLMS”