Journal · Choreography
Brian Friedman: The Blueprint for Commercial Dance
One of commercial dance’s most recognisable creative voices, Brian Friedman brings decades of experience to The Manor LDN.
25 September 2026 · 2 min read

CHOREOGRAPHY BY BRIAN FRIEDMAN
ARTIST: ZARA LARSSON - HOT & SEXY
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
From Britney Spears to Beyoncé, Brian Friedman has spent three decades creating the movement language behind some of pop’s biggest moments.
Brian Friedman has never been interested in dance existing in isolation. A dancer, choreographer, creative director and educator, his career has been built around the relationship between movement, music and performance. From starting out as a performer to becoming one of the most recognisable creative voices in commercial dance, Brian has spent more than 30 years developing a style that continues to influence the industry.
His career reads like a timeline of pop culture. Brian has choreographed and creatively directed for artists including Britney Spears, Beyoncé, Janet Jackson, Rihanna, Ciara, Justin Bieber, Mariah Carey, Christina Aguilera, Cher and Sam Smith. His work extends across music videos, tours, television, film and some of the biggest award shows in the world, while his television credits include The X Factor, America’s Got Talent, Britain’s Got Talent and So You Think You Can Dance.
But alongside the major productions and global artists, teaching has remained central to Brian’s work. Through projects including The Pulse on Tour, The Main Event and Radix Dance Convention, he has spent years mentoring dancers and sharing the creative thinking behind commercial performance. His approach is rooted in individuality, musicality and a strong understanding of how movement can become part of an artist’s identity.
That same creative language arrives at The Manor LDN with Zara Larsson’s “Hot & Sexy”. Rather than simply teaching steps, Brian brings the experience of someone who has spent decades turning music into moments — combining performance, attitude and precision in a class that feels unmistakably his.
Watch Brian Friedman’s “Hot & Sexy” choreography below and experience the movement language of one of commercial dance’s most established creative voices.
More from the journal

Choreography
Alex Chambers: When Musicality Leads

Choreography
DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography
DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography
DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography
DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography
DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography
DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography
DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography
DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography
DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography
DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography
DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography
DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography
DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography
Neal Piron: Where Rhythm Finds Its Shape

Choreography
Jared Hageman: A Life in Movement

Choreography
Alex Chambers: Built Around the Music

Choreography
Eryn Bates: The Details Make the Difference

Choreography
Josh Denyer: Finding the Story in Movement

Choreography
Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography
Neal Piron: Built Between Styles

Choreography
Jared Hageman: Where Every Style Has a Place

Choreography
Jamie Mason: Built to Perform

Choreography