Journal · Choreography
Domenick Stevens: Making Every Move Count
From major stages to the studio floor, Domenick Stevens brings precision, versatility and performance energy to The Manor LDN.
25 September 2026 · 1 min read

CHOREOGRAPHY BY DOMENICK STEVENS
ARTIST: BRANDY - CAN YOU HEAR ME NOW
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
From major stages to the studio floor, Domenick Stevens brings precision, versatility and performance energy to The Manor LDN.
There is a difference between learning choreography and knowing how to perform it. For Domenick Stevens, that distinction sits at the heart of his work. A professional dancer whose career spans television, film, live performance and commercial work, Domenick has built a reputation for bringing presence and precision to every space he steps into.
His credits read like a tour through contemporary pop culture. Domenick has performed alongside artists including Ciara, Busta Rhymes, Missy Elliott, Kid Cudi, Cher and Karol G, as well as joining Omarion on The Millennium Tour. His work also extends beyond the stage, with appearances in music videos and commercial campaigns for brands including Sony. Across each project, versatility is a constant — adapting to different artists, environments and creative worlds while maintaining his own performance quality.
That experience naturally feeds into the way Domenick teaches. His classes are not simply about getting through the steps; they are about understanding the energy behind them, committing to the movement and finding the confidence to perform it. At The Manor LDN, that approach comes through in his choreography to Brandy’s “Can You Hear Me Now?”, bringing together musicality, attitude and performance in a routine made to be felt as much as it is danced.
Watch Domenick Stevens’ choreography to “Can You Hear Me Now?” below and experience his movement language for yourself.
More from the journal

Choreography | Jazz Funk
Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Choreography | Heels
Full Commitment or Nothing: Melissa Barlow's Standard

Choreography
David Cottle's Classes Come With One Guarantee: Joy

Choreography
Gil Duldulao: The Choreographer Behind the Icon

Choreography
Luther Brown: Choreography You Can Hear

Choreography
Dario Boatner: Movement With No Limits

Choreography
Brian Friedman: The Blueprint for Commercial Dance

Choreography
The Manor Series: Amber Rae Brings Industry Into The Room

Choreography
Kelsey ‘Hydro’ Miller & Ian Harris: Reworking a Classic

Choreography
Kelsey ‘Hydro’ Miller & Hannah Arbury Reimagine “Everything Is Romantic”

Choreography | Heels
Chanelle Anthony: The Power of Performance

Choreography
Consistency Is the Career: Denzel Chisolm

Choreography
Marquise Williams: Movement Without Limits

Choreography
In the Room With Ai Shimatsu

Choreography
Hana Morris: The Global Dancer Making Her Mark in London

Choreography | Hip Hop
Maniek Kotarski: A Language of Movement

Choreography
Dario Boatner: From Detroit to the World Stage

Choreography
Shay Latukolan: Making Movement Feel Like Music

Choreography
Devante Latorre Gets Into Drake’s “You Broke My Heart”

Choreography
RAYE's Dancer Meets a European Touring Veteran: Lorenzo Pryce x Maximilien Henrion

Choreography | Heels
Darius Hickman: "Rockin That Thing" at The Manor — The-Dream

Choreography
Kiel Tutin: When “Hot & Sexy” Hits The Manor

Choreography