Journal · Choreography
Marquise Williams: Movement Without Limits
Marquise Williams brings versatility, musicality and a fresh creative perspective to KWN’s “Five More” at The Manor LDN.
25 September 2026 · 1 min read

CHOREOGRAPHY BY MARQUISE WILLIAMS
ARTIST: KWN - FIVE MORE
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
For Marquise Williams, movement is about more than simply learning steps. With a versatile foundation spanning ballet, contemporary, jazz, modern, heels, Hip Hop, Afro and lyrical styles, Marquise approaches dance as a space for exploration, individuality and creative expression. That breadth is what gives his work its distinct sense of freedom.
Based in the United States, Marquise has built his career across performance, choreography and teaching, working with artists and creative teams across different styles and disciplines. His experience includes performing in Oskar med K’s “Spellbound”, while his choreography has also been recognised through ELEVĀTED’s winning entry in the Choreographer’s Cup competition, “When Dove’s Cry”, created alongside Howard Washington, Alexis Baines, Erika Rogers and Eva Anderson.
Teaching sits at the heart of Marquise’s creative practice. His approach is centred on versatility and helping dancers develop their own artistic voice, rather than simply reproducing movement. Across his classes, different influences can exist side by side — from technical training and contemporary movement to Hip Hop, Afro and performance styles — creating space for dancers to explore what feels authentic to them.
That approach came into the room at The Manor LDN, where Marquise brought his choreography to KWN’s “Five More”. The result is a class built around musicality, texture and individuality, giving dancers the chance to take the track somewhere of their own while experiencing Marquise’s distinctly versatile approach to movement.
Watch Marquise Williams' "Five More" choreography below.
More from the journal

Choreography | Jazz Funk
Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Choreography | Heels
Full Commitment or Nothing: Melissa Barlow's Standard

Choreography
David Cottle's Classes Come With One Guarantee: Joy

Choreography
Gil Duldulao: The Choreographer Behind the Icon

Choreography
Luther Brown: Choreography You Can Hear

Choreography
Dario Boatner: Movement With No Limits

Choreography
Brian Friedman: The Blueprint for Commercial Dance

Choreography
The Manor Series: Amber Rae Brings Industry Into The Room

Choreography
Kelsey ‘Hydro’ Miller & Ian Harris: Reworking a Classic

Choreography
Kelsey ‘Hydro’ Miller & Hannah Arbury Reimagine “Everything Is Romantic”

Choreography
Domenick Stevens: Making Every Move Count

Choreography | Heels
Chanelle Anthony: The Power of Performance

Choreography
Consistency Is the Career: Denzel Chisolm

Choreography
In the Room With Ai Shimatsu

Choreography
Hana Morris: The Global Dancer Making Her Mark in London

Choreography | Hip Hop
Maniek Kotarski: A Language of Movement

Choreography
Dario Boatner: From Detroit to the World Stage

Choreography
Shay Latukolan: Making Movement Feel Like Music

Choreography
Devante Latorre Gets Into Drake’s “You Broke My Heart”

Choreography
RAYE's Dancer Meets a European Touring Veteran: Lorenzo Pryce x Maximilien Henrion

Choreography | Heels
Darius Hickman: "Rockin That Thing" at The Manor — The-Dream

Choreography
Kiel Tutin: When “Hot & Sexy” Hits The Manor

Choreography