Journal · Choreography
Dean Lee: Inside His “Goodie Bag” Choreography
Dean Lee's commercial choreography to “Goodie Bag” at The Manor LDN in London.
3 September 2026 · 1 min read

CHOREOGRAPHY BY DEAN LEE
ARTIST: KYLIE CANTRALL - GODDIE BAG
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
Dean Lee has spent more than 15 years working across commercial dance, music, television, theatre and live performance, building a career that has taken him onto stages and screens alongside some of the biggest names in entertainment. From Janet Jackson and Kylie Minogue to The Pussycat Dolls, Leona Lewis, Little Mix and Take That, his work has consistently combined technical precision with a strong instinct for performance.
Trained at Urdang Academy on a full scholarship, Dean began his professional career with the Bolshoi Ballet's London residency of La Bayadère before moving into commercial choreography and performance. His television credits include The X Factor, Strictly Come Dancing, The Royal Variety Show, The Masked Singer and So You Think You Can Dance, alongside extensive live and touring work.
For this session at The Manor LDN, Dean turns his attention to “Goodie Bag”, bringing his commercial choreography style into the studio. His approach is rooted in musicality, precision and performance — creating choreography that asks dancers to think beyond simply learning the steps and focus on how the movement is performed.
Filmed at The Manor LDN in Finsbury Park, North London, this latest routine is another example of Dean bringing his experience from the professional dance world directly into the studio.
More from the journal

Choreography
Alex Chambers: When Musicality Leads

Choreography
DANCE // OFFLINE 2026: Jaron Lammens: Where Street Meets Soul

Choreography
DANCE // OFFLINE 2026: Jamie Mason: From Foundations to the Main Stage

Choreography
DANCE // OFFLINE 2026: Pro-Motion: Where Dance Becomes Illusion

Choreography
DANCE // OFFLINE 2026: Kid Turf: The Art of Turf Dancing

Choreography
DANCE // OFFLINE 2026: Eryn Bates: More Than Just the Stepsy

Choreography
DANCE // OFFLINE 2026: Ricky Jinks: The Art of Feeling the Movement

Choreography
DANCE // OFFLINE 2026: Hannah Arbury: Where Movement Meets Possibility

Choreography
DANCE // OFFLINE 2026: Alan Piotrowski: Built Around the Beat

Choreography
DANCE // OFFLINE 2025: Josh Pilmore: The Art of Going Full Out

Choreography
DANCE // OFFLINE 2025: Sattva: Where Ballroom Meets Artistry

Choreography
DANCE // OFFLINE 2025: Zaniah Fae: Where Movement Meets Vision

Choreography
DANCE // OFFLINE 2025: Josh Denyer: Built for the Stage

Choreography
DANCE // OFFLINE 2025: HomeBros: Where Dance Becomes Community

Choreography
Neal Piron: Where Rhythm Finds Its Shape

Choreography
Jared Hageman: A Life in Movement

Choreography
Alex Chambers: Built Around the Music

Choreography
Eryn Bates: The Details Make the Difference

Choreography
Josh Denyer: Finding the Story in Movement

Choreography
Jaron Johnson: Where Hip Hop Finds Its Energy

Choreography
Neal Piron: Built Between Styles

Choreography
Jared Hageman: Where Every Style Has a Place

Choreography
Jamie Mason: Built to Perform

Choreography