Journal · Choreography
The Choreographer Whose Movement Flows Like Water
From Broadway's Esmeralda to The Manor LDN's studio floor | Pauline Casino
26 August 2026 · 2 min read

CHOREOGRAPHY BY PAULINE CASINO
ARTIST: WIZKID - BREAK ME DOWN
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
Some dancers hit every count sharply. Pauline Casiño moves through them instead — a watery, continuous flow that never quite lets a movement stop before the next one has already begun. It's the signature that's made her one of the most distinctive voices in commercial dance right now, and it started early: Casiño found her love for dance and performance at just eight years old, moving to New York City at twelve to begin training seriously, eventually studying under Moe Dean at Hip Hop Theory.
That foundation built a career that now moves fluidly between commercial work, brand campaigns, and Broadway itself. Signed with Clear Talent Group, Casiño has worked with brands including Adidas, Nike, Adorama, and Glow Recipe, appeared in Apple TV+'s "Little Voice," and was part of Candace Brown's Soul Spot production and BTS's Love Yourself NY/NJ concert — alongside a Monsters Cast Nominee credit for the 2022 show. In 2023, she made her Broadway debut as an original cast member, playing Esmeralda in Once Upon a One More Time — proof that her watery, continuous style translates just as powerfully on a Broadway stage as it does in a commercial booking.
Beyond performing, Casiño holds faculty positions at some of New York's most prominent dance institutions — Peridance Center, Steps on Broadway, and Broadway Dance Center — and regularly travels internationally across North America, Europe, and Asia to lead masterclasses and intensives. Her teaching philosophy centres on musical maturity, physical articulation, and feminine essence in movement, and that same flowing, deliberate quality was exactly what she brought into The Manor LDN — choreography that never rushes, never forces a transition, and never once loses the thread connecting one movement to the nex
More from the journal

Choreography | Contemporary
Pharrell Williams Wanted Her at the Oscars. Here's Why.

Choreography | Hip Hop
Kendrick Lamar. Eminem. Dr. Dre. All in One Night.

Choreography | Heels
Full Commitment or Nothing: Melissa Barlow's Standard

Choreography
David Cottle's Classes Come With One Guarantee: Joy

Choreography | Jazz Funk
Christin Olesen | Technique-Driven Jazz Choreography at The Manor LDN

Choreography | Contemporary Fusion
Contemporary Meets Commercial: Ainsley Ricketts' Signature

Choreography | Commercial
A Decade in Commercial Dance: Josh Wharmby's Class

Choreography | Commercial
Claudimar Neto: From Little Mix to The Manor LDN

Choreography | Heels
Wish I Didn't Miss You- Angie Stone | Choreography by Chanelle Anthony

Choreography | Heels
An Icon in Heels: Chanelle Anthony's Magic

Choreography | Hip Hop/Experimental
From Burna Boy to the BRITs: Tyresse Hare's Rise

Choreography | Commercial
Discovered on Instagram. Now Dancing for Rihanna and Disney.

Choreography | Commercial | Jazz
Sydney's Sell-Out Sensation Just Landed in London

Choreography
22 Years, 40 Countries, One Masterclass: Dylan Mayoral at The Manor LDN

Choreography
An Award-Winning Vision Behind Madonna and FKA Twigs

Choreography | Hip Hop
Kelsey Hydro Miller Brings Hip Hop to The Manor LDN

Choreography
Confessions, Pt. II by Usher | Choreography by Kelsey 'Hydro' Miller & Ian Harris

Choreography
Two Different Kinds of Mastery, One Incredible Class

Choreography | Heels
More Than Choreography: Amber Rae's Full Experience

Choreography | Dancehall | Heels
Carving Her Own Lane: Amber Rae's Dancehall Heels Pop-Up

Choreography
Love - Rema | Choreography by Amber Rae at The Manor Series Volume 3: Industry

Choreography
Flavour, Groove, Intention: Tendai's Class

Choreography