Journal · Choreography
The Choreographer Whose Movement Flows Like Water
From Broadway's Esmeralda to The Manor LDN's studio floor | Pauline Casino
26 August 2026 · 2 min read

CHOREOGRAPHY BY PAULINE CASINO
ARTIST: WIZKID - BREAK ME DOWN
LOCATION: THE MANOR LDN DANCE STUDIO, FINSBURY PARK, NORTH LONDON
Some dancers hit every count sharply. Pauline Casiño moves through them instead — a watery, continuous flow that never quite lets a movement stop before the next one has already begun. It's the signature that's made her one of the most distinctive voices in commercial dance right now, and it started early: Casiño found her love for dance and performance at just eight years old, moving to New York City at twelve to begin training seriously, eventually studying under Moe Dean at Hip Hop Theory.
That foundation built a career that now moves fluidly between commercial work, brand campaigns, and Broadway itself. Signed with Clear Talent Group, Casiño has worked with brands including Adidas, Nike, Adorama, and Glow Recipe, appeared in Apple TV+'s "Little Voice," and was part of Candace Brown's Soul Spot production and BTS's Love Yourself NY/NJ concert — alongside a Monsters Cast Nominee credit for the 2022 show. In 2023, she made her Broadway debut as an original cast member, playing Esmeralda in Once Upon a One More Time — proof that her watery, continuous style translates just as powerfully on a Broadway stage as it does in a commercial booking.
Beyond performing, Casiño holds faculty positions at some of New York's most prominent dance institutions — Peridance Center, Steps on Broadway, and Broadway Dance Center — and regularly travels internationally across North America, Europe, and Asia to lead masterclasses and intensives. Her teaching philosophy centres on musical maturity, physical articulation, and feminine essence in movement, and that same flowing, deliberate quality was exactly what she brought into The Manor LDN — choreography that never rushes, never forces a transition, and never once loses the thread connecting one movement to the nex
More from the journal

Choreography | Heels
Revolving Door - Tate McRae | Choreographed by Paige Patton

Choreography | Heels
First Time - Krept&Konan | Choreography by Amber Rae

Choreography | Jazz Funk
Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Commercial | Jazz Funk
Seize The Power by Yonaka | Live Performance Choreography by Philip Birchall @ The Manor Series Volume 3: Industry

Choreography
She's a Bitch by Missy Elliott | Choreography by Mira Jebari @The Manor Series Volume 3: Industry

Commercial
Craig by GNA | Choreography by Shaun Niles @ The Manor Series Volume 3: Industry

Commercial | Dean Lee | Dean Lee Commercial Performance
No Broke Boys by Tinashe | Choreography by Dean Lee @ The Manor Series Volume 3: Industry

Afro | Choreography
IYD by Lojay | Choreography by Homebros @ The Manor Series Volume 3: Industry

Choreography
Way Too Big - Burna Boy | Choreography by Aaron Bryan @ The Manor Series Volume 3: Industry

Choreography
Alex Chambers - Rolling in the Deep

Choreography
Alex Chambers - Sugar

Commercial
Episode 5: Dean Lee

Choreography
Rowan Chambers - With Emotion

Choreography
Alja Ursic Arko- Wickedest

Choreography | Contemporary
Pharrell Williams Wanted Her at the Oscars. Here's Why.

Choreography | Hip Hop
Kendrick Lamar. Eminem. Dr. Dre. All in One Night.

Choreography | Heels
Full Commitment or Nothing: Melissa Barlow's Standard

Choreography
David Cottle's Classes Come With One Guarantee: Joy

Choreography | Jazz Funk
Christin Olesen | Technique-Driven Jazz Choreography at The Manor LDN

Choreography | Contemporary Fusion
Contemporary Meets Commercial: Ainsley Ricketts' Signature

Choreography | Commercial
A Decade in Commercial Dance: Josh Wharmby's Class

Choreography | Commercial
Claudimar Neto: From Little Mix to The Manor LDN

Choreography | Heels