Home/Journal/Choreography

Journal · Choreography

Heels, But Make It Technical and Intentional: Malou Linders' Class

Real technique, real connection — Malou Linders brings her heels expertise to The Manor LDN

26 March 2026 · 1 min read

Choreography by Malou Linders

There's a particular kind of quiet confidence that comes from a choreographer who's spent years building real technique rather than chasing trends, and it was on full display when Malou Linders brought her thoughtful, intention-driven approach to a masterclass at The Manor LDN Dance Studio. This wasn't heels choreography built on flash alone — it was a session grounded in connection, musicality, and genuine movement quality, the kind of training that actually stays with a dancer long after the class ends.

An internationally respected choreographer and dancer, Linders has built her global presence the hard way — through teaching, choreography, and education, working with dancers across every level and background rather than only the already-advanced. Her work centres on artistry and discipline in equal measure, and on helping dancers build a deeper, more honest connection to their own movement. Watching her teach, it's clear why: every correction comes from a place of genuinely wanting dancers to understand the "why" behind the technique, not just replicate it.

Her session at The Manor LDN was a strong addition to London's masterclass scene, and it reflected exactly what Linders is known for — blending real structure with real creativity, inside a studio environment that felt supportive rather than intimidating. For dancers who've ever wanted heels training that respects both the technique and the artist inside it, this was that class.

See the full class timetable →

Share this story

More from the journal

Choreography | Heels

Revolving Door - Tate McRae | Choreographed by Paige Patton

Choreography | Heels

First Time - Krept&Konan | Choreography by Amber Rae

Choreography | Jazz Funk

Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Choreography

She's a Bitch by Missy Elliott | Choreography by Mira Jebari @The Manor Series Volume 3: Industry

Afro | Choreography

IYD by Lojay | Choreography by Homebros @ The Manor Series Volume 3: Industry

Choreography

Way Too Big - Burna Boy | Choreography by Aaron Bryan @ The Manor Series Volume 3: Industry

Choreography

Alex Chambers - Rolling in the Deep

Choreography

Alex Chambers - Sugar

Choreography

Rowan Chambers - With Emotion

Choreography

Alja Ursic Arko- Wickedest

Choreography | Commercial

The Choreographer Whose Movement Flows Like Water

Choreography | Contemporary

Pharrell Williams Wanted Her at the Oscars. Here's Why.

Choreography | Hip Hop

Kendrick Lamar. Eminem. Dr. Dre. All in One Night.

Choreography | Heels

Full Commitment or Nothing: Melissa Barlow's Standard

Choreography

David Cottle's Classes Come With One Guarantee: Joy

Choreography | Jazz Funk

Christin Olesen | Technique-Driven Jazz Choreography at The Manor LDN

Choreography | Contemporary Fusion

Contemporary Meets Commercial: Ainsley Ricketts' Signature

Choreography | Commercial

A Decade in Commercial Dance: Josh Wharmby's Class

Choreography | Commercial

Claudimar Neto: From Little Mix to The Manor LDN

Choreography | Heels

Wish I Didn't Miss You- Angie Stone | Choreography by Chanelle Anthony

Choreography | Heels

An Icon in Heels: Chanelle Anthony's Magic

Choreography | Hip Hop/Experimental

From Burna Boy to the BRITs: Tyresse Hare's Rise

Choreography | Commercial

Discovered on Instagram. Now Dancing for Rihanna and Disney.

Choreography | Commercial | Jazz

Sydney's Sell-Out Sensation Just Landed in London