Journal · Choreography
Pharrell Williams Wanted Her at the Oscars. Here's Why.
Her Oscars moment, now live at The Manor LDN
26 March 2026 · 1 min read

Choreography by Kaycee Rice
The Oscars doesn't book dancers casually. Every second of a performance on that stage is scrutinised by an audience of hundreds of millions, which makes Kaycee Rice's appearance alongside Pharrell Williams there one of the clearest signals of just how highly she's regarded in the industry. That same level of precision and presence was exactly what she brought into The Manor LDN's Finsbury Park studio.
Performing at that scale demands something most classes can't teach directly: the ability to hold complete composure under a level of scrutiny most dancers never experience. Rice's broader résumé — including the Super Bowl halftime show alongside Katy Perry and Missy Elliott, and a featured appearance in a Justin Bieber music video — only reinforces what the Oscars credit already proves: an ability to perform at the absolute top level, repeatedly, across entirely different formats and audiences.
The session itself focused on contemporary choreography, musicality, and performance, giving dancers direct access to the dynamic and versatile style that's made her one of the most trusted names in the room whenever the stakes are highest. For dancers hoping to understand what separates good technique from genuine stage command, training with someone who's delivered on a stage like the Oscars offered something rare.
More from the journal

Choreography | Heels
Revolving Door - Tate McRae | Choreographed by Paige Patton

Choreography | Heels
First Time - Krept&Konan | Choreography by Amber Rae

Choreography | Jazz Funk
Supermassive Black Hole by Muse | Choreography by Adrian Gas @ The Manor Series Volume 3: Industry

Choreography
She's a Bitch by Missy Elliott | Choreography by Mira Jebari @The Manor Series Volume 3: Industry

Afro | Choreography
IYD by Lojay | Choreography by Homebros @ The Manor Series Volume 3: Industry

Choreography
Way Too Big - Burna Boy | Choreography by Aaron Bryan @ The Manor Series Volume 3: Industry

Choreography
Alex Chambers - Rolling in the Deep

Choreography
Alex Chambers - Sugar

Choreography
Rowan Chambers - With Emotion

Choreography
Alja Ursic Arko- Wickedest

Contemporary
Manon Servage

Contemporary
Jana Bednarova - God Breathed

Contemporary
Samara Tong - Growing Sideways

Choreography | Commercial
The Choreographer Whose Movement Flows Like Water

Choreography | Hip Hop
Kendrick Lamar. Eminem. Dr. Dre. All in One Night.

Choreography | Heels
Full Commitment or Nothing: Melissa Barlow's Standard

Choreography
David Cottle's Classes Come With One Guarantee: Joy

Choreography | Jazz Funk
Christin Olesen | Technique-Driven Jazz Choreography at The Manor LDN

Contemporary
Storytelling in Motion: Ainsley Ricketts' Masterclass

Choreography | Contemporary Fusion
Contemporary Meets Commercial: Ainsley Ricketts' Signature

Choreography | Commercial
A Decade in Commercial Dance: Josh Wharmby's Class

Choreography | Commercial
Claudimar Neto: From Little Mix to The Manor LDN

Choreography | Heels